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Living at the same time with these half-Italianized painters, and continuing later in the century, there was another group of painters in the Low Countries who were emphatically of the soil, believing in themselves and their own country and picturing scenes from commonplace life in a manner quite their own. These were the "Little Masters," the _genre_ painters, of whom there was even a stronger representation appearing contemporaneously in Holland. In Belgium there were not so many nor such talented men, but some of them were very interesting in their work as in their subjects. Teniers the Younger (1610-1690) was among the first of them to picture peasant, burgher, alewife, and nobleman in all scenes and places. Nothing escaped him as a subject, and yet his best work was shown in the handling of low life in taverns. There is coarse wit in his work, but it is atoned for by good color and easy handling. He was influenced by Rubens, though decidedly different from him in many respects. Brouwer (1606?-1638) has often been catalogued with the Holland school, but he really belongs with Teniers, in Belgium. He died early, but left a number of pictures remarkable for their fine "fat" quality and their beautiful color. He was not a man of Italian imagination, but a painter of low life, with coarse humor and not too much good taste, yet a superb technician and vastly beyond many of his little Dutch contemporaries at the North. Teniers and Brouwer led a school and had many followers.

Twenty-three years elapsed between the First and Second Punic Wars. The power of Carthage, though crippled, was not destroyed; and Hamilcar returned home, burning with hatred against Rome, and determined to renew the war upon a favorable opportunity. But a new and terrible danger threatened Carthage upon her own soil. The mercenary troops, who had been transported from Sicily to Africa at the conclusion of the war, being unable to obtain their arrears of pay, rose in open mutiny. Their leaders were Spendius, a runaway Campanian slave, and Matho, a Libyan. They were quickly joined by the native Libyans, and brought Carthage almost to the brink of destruction. They laid waste the whole country with fire and sword, made themselves masters of all the towns except the capital, and committed the most frightful atrocities. Carthage owed her safety to the genius and abilities of Hamilcar. The struggle was fierce and sanguinary, but was at length brought to a successful issue, after it had lasted more than three years, by the destruction of all the mercenaries. It was called the War without Peace, or the Inexpiable War (B.C. 238).

Nos. 8 and 9. These boilers were known as the Griffith & Wundrum type, the concern which built them being later merged in The Babcock & Wilcox Co. Experiments were made with this design with four passages of the gases across the tubes and the downward circulation of the water at the rear of the boiler was carried to the bottom row of tubes. In No. 9 an attempt was made to increase the safety and reduce the cost by reducing the amount of steam and water capacity. A drum at right angles to the line of tubes was used but as there was no provision made to secure dry steam, the results were not satisfactory. The next move in the direction of safety was the employment of several drums of small diameter instead of a single drum.

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