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The opening up of these Catacombs has brought to light many most interesting relics of primitive Christianity. In these Christian cemeteries and places of worship there are signs not only of the deep emotion and hope with which they buried their dead, but also of their simple forms of worship and the festive joy with which they commemorated the Nativity of Christ. On the rock-hewn tombs these primitive Christians wrote the thoughts that were most consoling to themselves, or painted on the walls the figures which gave them the most pleasure. The subjects of these paintings are for the most part taken from the Bible, and the one which illustrates the earliest and most universal of these pictures, and exhibits their Christmas joy, is "The Adoration of the Magi."

The woods hold not such another gem as the nest of the humming-bird. The finding of one is an event to date from. It is the next best thing to finding an eagle's nest. I have met with but two, both by chance. One was placed on the horizontal branch of a chestnut-tree, with a solitary green leaf, forming a complete canopy, about an inch and a half above it. The repeated spiteful dartings of the bird past my ears, as I stood under the tree, caused me to suspect that I was intruding upon some one's privacy; and following it with my eye, I soon saw the nest, which was in process of construction. Adopting my usual tactics of secreting myself near by, I had the satisfaction of seeing the tiny artist at work. It was the female, unassisted by her mate. At intervals of two or three minutes she would appear with a small tuft of some cottony substance in her beak, dart a few times through and around the tree, and alighting quickly in the nest arrange the material she had brought, using her breast as a model.

She was perfectly at home in the mountains, and spent much time in the huts of charcoal burners, huntsmen, or woodcutters, contented with the food they could give her and happy in her study. Thus she made her sketches for "Morning in the Highlands," "The Denizens of the Mountains," etc. She once lived six weeks with her party on the Spanish side of the Pyrenees, where they saw no one save muleteers going and coming, with their long lines of loaded mules. Their only food was frogs' legs, which they prepared themselves, and the black bread and curdled milk which the country afforded. At evening the muleteers would amuse the strangers by dancing the national dances, and then repose in picturesque groups just suited to artistic sketching. In Scotland and in Switzerland, as well as in various portions of her own country, she had similar experiences, and her "Hay-Making in Auvergne" proves that she was familiar with the more usual phases of country life. At the Knowles sale in London, in 1865, her picture of "Spanish Muleteers Crossing the Pyrenees," one of the results of the above sojourn in these mountains, sold for two thousand guineas, about ten thousand dollars. I believe that, in spite of the large sums of money that she received, her habitual generosity and indifference to wealth prevented her amassing a large fortune, but her fame as an artist and her womanly virtues brought the rewards which she valued above anything that wealth could bestow--such rewards as will endure through centuries and surround the name of Rosa Bonheur with glory, rewards which she untiringly labored to attain.

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