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The Senate felt themselves now sufficiently strong to declare them public enemies, and invested the Consuls with dictatorial power. Marius was unwilling to act against his associates, but he had no alternative, and his backwardness was compensated by the zeal of others. Driven out of the forum, Saturninus, Glaucia, and the Quaestor Saufeius took refuge in the Capitol, but the partisans of the Senate cut off the pipes which supplied the citadel with water before Marius began to move against them. Unable to hold out any longer, they surrendered to Marius. The latter did all he could to save their lives: as soon as they descended from the Capitol, he placed them, for security, in the Curia Hostilia; but the mob pulled off the tiles of the Senate-house, and pelted them till they died. The Senate gave their sanction to the proceeding by rewarding with the citizenship a slave of the name of Scaeva, who claimed the honor of having killed Saturninus.

We need not apologise for this long quotation, it is a tribute to Darwin's magnanimous colleague, the Nestor of the evolutionist camp,--and it probably indicates the line of thought which Darwin himself followed. It is interesting also to recall the fact that in 1852, when Herbert Spencer wrote his famous _Leader_ article on "The Development Hypothesis" in which he argued powerfully for the thesis that the whole animate world is the result of an age-long process of natural transformation, he wrote for _The Westminster Review_ another important essay, "A Theory of Population deduced from the General Law of Animal Fertility," towards the close of which he came within an ace of recognising that the struggle for existence was a factor in organic evolution. At a time when pressure of population was practically interesting men's minds, Darwin, Wallace, and Spencer were being independently led from a social problem to a biological theory. There could be no better illustration, as Prof. Patrick Geddes has pointed out, of the Comtian thesis that science is a "social phenomenon."

Her enthusiasm for her art constantly increased. She was not willing to acknowledge her semi-invalidism and was filled with the desire to do something in art that would live after her. She was opposed by her family, who wished her to be in fashionable society. At length she had her way, and when not quite eighteen began to study regularly at the Julian Academy. She worked eight and nine hours a day. Julian encouraged her, she rejoiced in being with "real artists who have exhibited in the Salon and whose pictures are bought," and declared herself "happy, happy!" Before long M. Julian told her that she might become a great artist, and the first time that Robert-Fleury saw her work and learned how little she had studied, and that she had never before drawn from a living model, he said: "Well, then, you have extraordinary talent for painting; you are specially gifted, and I advise you to work hard."

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