My Web Site Page 220 Ovations 04

Cake Placebo chose the topics covered by My Web Site Page 220 without reflecting upon the choices others have made. Flapping your arms and quacking like a duck when people try to run you over in their SUVs is another way to look at things in a different light.
 

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It was cold, especially at night. Nearly all my instruments had been badly damaged in our many accidents in Brazil, and I was unable to replace them either in Para or Manaos. Owing, therefore, to the lack of self-registering thermometers, I could not keep an accurate daily record of the maximum and minimum temperatures. After leaving Camp 93, we went over a really fearful trail, my mules being all the time chest-deep in mud. It was extremely hard work for the animals to get along. As is well known to any traveller, all animals of a caravan when on a narrow path step in the footprints of their predecessors, so that on that trail they had sunk a long series of deep holes in the soft clay, which were constantly being filled by water sliding from the mountain-side. In that particular part the mud had highly caustic qualities, which burnt the skin and caused irritation each time you were splashed. The muleteers who were walking had their feet badly burnt by it, one man suffering agony from his blistered feet.

Memling (1425?-1495?), one of the greatest of the school, is another man about whose life little is known. He was probably associated with Van der Weyden in some way. His art is founded on the Van Eyck school, and is remarkable for sincerity, purity, and frankness of attitude. As a religious painter, he was perhaps beyond all his contemporaries in tenderness and pathos. In portraiture he was exceedingly strong in characterization, and in his figures very graceful. His flesh painting was excellent, but in textures or landscape work he was not remarkable. His best followers were Van der Meire (1427?-1474?) and Gheeraert David (1450?-1523). The latter was famous for the fine, broad landscapes in the backgrounds of his pictures, said, however, by critics to have been painted by Joachim Patinir. He was realistically horrible in many subjects, and though a close recorder of detail he was much broader than any of his predecessors.

 

After the battle of the Metaurus, the chief interest of the war was transferred to Spain and Africa. The Roman armies were led by a youthful hero, perhaps the greatest man that Rome ever produced, with the exception of Julius Caesar. The remaining period of the war is little more than the history of P. Scipio. This extraordinary man was the son of P. Scipio, who fell in Spain in B.C. 212, as already related. In his early years he acquired, to an extraordinary extent, the confidence and admiration of his countrymen. His enthusiastic mind led him to believe that he was a special favorite of heaven; and he never engaged in any public or private business without first going to the Capitol, where he sat some time alone, enjoying communion with the gods. For all he proposed or executed he alleged the divine approval: he believed himself in the revelations which he asserted had been vouchsafed to him; and the extraordinary success which attended all his enterprises deepened this belief.



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