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From Brussels Barent van Orley (1491?-1542) left early for Italy, and became essentially Italian, though retaining some Flemish color. He painted in oil, tempera, and for glass, and is supposed to have gained his brilliant colors by using a gilt ground. His early works remind one of David. Cocxie (1499-1592), the Flemish Raphael, was but an indifferent imitator of the Italian Raphael. At Liege the Romanists, so called, began with Lambert Lombard (1505-1566), of whose work nothing authentic remains except drawings. At Bruges Peeter Pourbus (1510?-1584) was about the last one of the good portrait-painters of the time. Another excellent portrait-painter, a pupil of Scorel, was Antonio Moro (1512?-1578?). He had much dignity, force, and elaborateness of costume, and stood quite by himself. There were other painters of the time who were born or trained in Flanders, and yet became so naturalized in other countries that in their work they do not belong to Flanders. Neuchatel (1527?-1590?), Geldorp (1553-1616?), Calvaert (1540?-1619), Spranger (1546-1627?), and others, were of this group. |
Some of Charles's best friends were very much grieved at his pursuing such a course; others were very indignant; but the majority of the people around him at court were like himself in character and manners, and were only led to more open irregularity and vice themselves by this public example of their sovereign. In the mean time, the king moved on to Portsmouth, escorted by a body of his Life Guards. He found that his intended bride was confined to her bed with a sort of slow fever. It was the result, they said, of the roughness and discomforts of the voyage, though we may certainly imagine another cause. Charles went immediately to the house where she was residing, and was admitted to visit her in her chamber, the many attendants who were present at the interview watching with great interest every word and look on either side by which they might judge of the nature of the first impression made by the bride and bridegroom upon each other. Catharine was not considered beautiful, and it was natural that a degree of curiosity should be manifested to learn how Charles would regard her. |
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