My Web Site Page 171 Ovations 03Cake Placebo chose the topics covered by My Web Site Page 171 without reflecting upon the choices others have made. Flapping your arms and quacking like a duck when people try to run you over in their SUVs is another way to look at things in a different light. |
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John did not return to England until near the middle of December, but even at that date Innocent III had not decided the question of the Canterbury election. On December 20 he declared against the claim of the bishops and against the first secret election by the monks, and under his influence the deputation from Canterbury elected an Englishman and cardinal highly respected at Rome both for his character and for his learning, Stephen of Langton. The representatives of the king at Rome refused to agree to this election, and the pope himself wrote to John urging him to accept the new archbishop, but taking care to make it clear that the consent of the king was not essential, and indeed he did not wait for it. After correspondence with John in which the king's anger and his refusal to accept Langton were plainly expressed, on June 17, 1207, he consecrated Stephen archbishop. John's answer was the confiscation of the lands of the whole archbishopric, apparently those of the convent as well as those of the archbishop, and the expulsion of the monks from the country as traitors, while the trial in England of all appeals to the pope was forbidden. |
The chief characteristics of Sofonisba's painting were grace and spirit. Her portrait of herself when at her best is in possession of the Lomellini. A second is the splendid picture at Althorpe, in which she is represented as playing the harpsichord. One can scarcely imagine a place in which a portrait would be more severely tested than in the gallery of the Earl of Spencer, beside portraits of lovely women and famous men, painted by master artists. Yet this work of Sofonisba's is praised by discerning critics and connoisseurs. Of the other portraits of herself, that in the Uffizi is signed by her as "of Cremona," which suggests that it was painted before she went to Spain. That in the Vienna Gallery is dated 1551, and inscribed Sophonisba Anguissola. Virgo. Sc. Ipsam Fecit. Still another, in which a man stands beside her, is in the Sienna Gallery. He holds a brush in his hand, and is probably one of her masters. |
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BENATO-BELTRAMI, ELISABETTA. Painter and sculptor of the nineteenth century, living in Padua since 1858. Her talent, which showed itself early, was first developed by an unknown painter named Soldan, and later at the Royal Academy in Venice. She made copies of Guido, Sassoferrato and Veronese, the Laokoon group, and the Hercules of Canova, and executed a much-admired bas-relief called "Love and Innocence." Among her original paintings are an "Atala and Chactas," "Petrarch's First Meeting with Laura," a "Descent from the Cross" for the church at Tribano, a "St. Sebastian," "Melancholy," a "St. Ciro," and many Madonnas. Her pictures are noble in conception and firm in execution. | ||
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