My Web Site Page 166 Ovations 03

Ovations

Sitemaps

The Siasin, or Antelope of India, roams over the open and rocky plains of that immense country. It is distinguished from the rest of its family by the beauty and singular shape of its horns, which are annulated or ringed, and spirally convoluted or curved together, making two or more turns, according to the age of the animal. The fakirs and dervishes of India, who are enjoined by their religion from carrying swords, frequently wear at their girdles the polished horns of the siasin instead of the usual military arm. This antelope is one of the fleetest-footed of its family, and its leap is something wonderful. It is not uncommon for it to vault to the height of twelve or thirteen feet, passing over ten or twelve yards at a single bound. In color it is almost black on the upper part of the body, and light-colored beneath. When full grown, it is about the size of our common deer.

Even in those early centuries the contact of Japan with her Oriental neighbors revealed certain traits of her character which have been conspicuous in recent times--great capacity for acquisition, and readiness to adopt freely from foreign nations. Her contact with China, at that time so far in advance of herself in every element of civilization, was in some respects disastrous to her original growth. Instead of working out the problems of thought and life for herself, she took what China and Korea had to give. The result was an arrest in the development of everything distinctively native. The native religion was so absorbed by Buddhism that for a thousand years it lost all self-consciousness. Indeed the modern clear demarcation between the native and the imported religions is a matter of only a few decades, due to the researches of native scholars during the latter part of the last and the early part of this century. Even now, multitudes of the common people know no difference between the various elements of the composite religion of which they are the heirs.

Perhaps he married somebody's daughter. If a man would get hold of the public ear, he must pay, marry, or fight. I have never understood that AEschylus was a man of means, and the fighters do not write poetry, so I suppose he must have married a theatrical manager's daughter, and got his plays brought out that way. The ear of any age or country is like its land, air, and water; it seems limitless but is really limited, and is already in the keeping of those who naturally enough will have no squatting on such valuable property. It is written and talked up to as closely as the means of subsistence are bred up to by a teeming population. There is not a square inch of it but is in private hands, and he who would freehold any part of it must do so by purchase, marriage, or fighting, in the usual way--and fighting gives the longest, safest tenure. The public itself has hardly more voice in the question who shall have its ear, than the land has in choosing its owners. It is farmed as those who own it think most profitable to themselves, and small blame to them; nevertheless, it has a residuum of mulishness which the land has not, and does sometimes dispossess its tenants. It is in this residuum that those who fight place their hope and trust.

This page is Copyright © Cake Placebo. All Rights Reserved. My Web Site Page 166 is a production of Cake Placebo and may not be reproduced electronically or graphically for commercial uses. Personal reproductions and browser or search engine caching are acceptable.

Ovations provided by My Web Site Page 166 are included only for information. The entertainment value of My Web Site Page 166's ovations may vary on the basis of your personal needs. Cake Placebo and My Web Site Page 166 take no responsibility for the content provided by other Web sites. Links are provided "as is" without liability or warranty.