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BEAUX, CECILIA. Mary Smith prize at the Pennsylvania Academy of Fine Arts, 1885, 1887, 1891, 1892; gold medal, Philadelphia Art Club, 1893; Dodge prize, National Academy of Design, 1893; bronze medal, Carnegie Institute, 1896; first-class gold medal, $1,500, Carnegie Institute, 1899; Temple gold medal, Pennsylvania Academy, 1900; gold medal, Paris Exposition, 1900; gold medal, (?) 1901. Associate of National Academy of Design, member of Society of American Artists, associate of Societe des Beaux-Arts, Paris. Born in Philadelphia. Studied under Mrs. T. A. Janvier, Adolf van der Weilen, and William Sartain in Philadelphia; under Robert-Fleury, Bouguereau, and Benjamin-Constant, in Paris.

For the second, which is dissimulation; it followeth many times upon secrecy, by a necessity; so that he that will be secret, must be a dissembler in some degree. For men are too cunning, to suffer a man to keep an indifferent carriage between both, and to be secret, without swaying the balance on either side. They will so beset a man with questions, and draw him on, and pick it out of him, that, without an absurd silence, he must show an inclination one way; or if he do not, they will gather as much by his silence, as by his speech. As for equivocations, or oraculous speeches, they cannot hold out long. So that no man can be secret, except he give himself a little scope of dissimulation; which is, as it were, but the skirts or train of secrecy.

A third feature of former times is the condition of women during those ages. Eulogizers of Old Japan not only seem to forget that working classes existed then, but also that women, constituting half the population, were essential to the existence of the nation. Though allowing more freedom than was given to women in other Oriental nations, Japan did not grant such liberty as is essential to the full development of her powers. "Woman is a man's plaything" expresses a view still held in Japan. "Woman's sole duty is the bearing and rearing of children for her husband" is the dominant idea that has determined her place in the family and in the state for hundreds of years. That she has any independent interest or value as a human being has not entered into national conception. "The way in which they are treated by the men has hitherto been such as might cause a pang to any generous European heart.... A woman's lot is summed up in what is termed 'the three obediences,' obedience, while yet unmarried, to a father; obedience, when married, to a husband; obedience, when widowed, to a son. At the present moment the greatest duchess or marchioness in the land is still her husband's drudge. She fetches and carries for him, bows down humbly in the hall when my lord sallies forth on his good pleasure."[C] "The Greater Learning for Women," by Ekken Kaibara (1630-1714), an eminent Japanese moralist, is the name of a treatise on woman's duties which sums up the ideas common in Japan upon this subject. For two hundred years or more it has been used as a text-book in the training of girls. It enjoins such abject submission of the wife to her husband, to her parents-in-law, and to her other kindred by marriage, as no self-respecting woman of Western lands could for a moment endure. Let me prove this through a few quotations.

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