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~Titrometric Assays.~--Within the limits of the error of experiment, a definite volume of a solution or gas represents a certain weight of metal or other substance, hence the exact weight may be determined by experiment. The error of experiment may be reduced to insignificant dimensions by repeating the experiment, and taking the mean of three or four determinations. This will at the same time show the amount of variation. Thus, if 0.5 gram of iron were dissolved and found to require 50.3 cubic centimetres of the solution of permanganate of potash, and if on repeating, 50.4, 50.2, and 50.3 c.c. were required, the experimenter would be justified in saying that 50.3 c.c. of the permanganate solution represent 0.5 gram of iron, and that his results were good within 0.2 c.c. of the permanganate solution. So that if in an unknown solution of iron, 50.5 c.c. of the permanganate solution were used up, he could state with confidence that it contained a little more than 0.5 gram of iron. With a larger experience the confidence would increase, and with practice the experimental error will diminish.

The whole academic tendency of modern painting in Germany and Austria for the past fifty years has not been favorable to the best kind of pictorial art. There is a disposition on the part of artists to tell stories, to encroach upon the sentiment of literature, to paint with a dry brush in harsh unsympathetic colors, to ignore relations of light-and-shade, and to slur beauties of form. The subject seems to count for more than the truth of representation, or the individuality of view. From time to time artists of much ability have appeared, but these form an exception rather than a rule. The men to-day who are the great artists of Germany are less followers of the German tradition than individuals each working in a style peculiar to himself. A few only of them call for mention. Menzel (1815-1905) is easily first, a painter of group pictures, a good colorist, and a powerful pen-and-ink draughtsman; Lenbach (1836-1904), a forceful portraitist; Uhde (1848-), a portrayer of scriptural scenes in modern costumes with much sincerity, good color, and light; Leibl (1844-1900), an artist with something of the Holbein touch and realism; Thoma, a Frankfort painter of decorative friezes and panels; Liebermann, Gotthardt Kuehl, Franz Stuck, Max Klinger, Greiner, Truebner, Bartels, Keller.

Saseno, as one of the Ionian Islands, became a British protectorate in virtue of the Treaty of Paris of Nov. 5, 1815, but was given to Greece by the Treaty of London of March 29, 1864. The Ambassadors' Conference decided in the Autumn of last year that it was illogical to allow the chief harbor of Albania to be dominated by the territory of a foreign power, and by the Protocol of Florence, Dec. 19, 1913, it was definitely included in Albania. This decision was ratified by legislative enactment in Greece, to which effect was given by King Constantine's proclamation of June 13, 1914, shortly after which the Hellenic garrison was withdrawn. During the Greek regime, the island, being neutralized by the Treaty of 1864, was quite unimportant, and at one time the Turks by arrangement with the Hellenic Government, maintained a lighthouse there.

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