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At Augsburg there was still another school, which came into prominence in the sixteenth century with Burkmair and the Holbeins. It was only a part of the Swabian school, a concentration of artistic force about Augsburg, which, toward the close of the fifteenth century, had come into competition with Nuremberg, and rather outranked it in splendor. It was at Augsburg that the Renaissance art in Germany showed in more restful composition, less angularity, better modelling and painting, and more sense of the _ensemble_ of a picture. Hans Burkmair (1473-1531) was the founder of the school, a pupil of Schoengauer, later influenced by Duerer, and finally showing the influence of Italian art. He was not, like Duerer, a religious painter, though doing religious subjects. He was more concerned with worldly appearance, of which he had a large knowledge, as may be seen from his illustrations for engraving. As a painter he was a rather fine colorist, indulging in the fantastic of architecture but with good taste, crude in drawing but forceful, and at times giving excellent effects of motion. He was rounder, fuller, calmer in composition than Duerer, but never so strong an artist. |
On January 23rd we descended rapidly through beautiful forest from Camp 71, where we had halted for the night, to a large _tambo_ called Enenas, in charge of an Italian. The place was situated in a beautiful valley intersected by a streamlet saturated with lime. It looked exactly like milk, and hurt your gums considerably when you drank it. The excellent mule I was riding had unfortunately hurt one of its legs while we were crossing a swollen torrent, where the mule and myself were nearly swept away in the foaming current. Riding on the lame animal, which was all the time stumbling and falling down on its knees, was unpleasant. In the narrow trail it was not possible to unload another animal and change the saddle, and it was out of the question for me to walk. |
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Immediately after war was declared between Germany and Russia the Porte ordered the Bosphorus and the Dardanelles closed to every kind of shipping, at the same time barring the entrances of these channels with rows of mines. The first boat to suffer from this measure was a British merchantman, which was sunk outside the Bosphorus, while another had a narrow escape in the Dardanelles. A large number of steamers of every nationality are waiting outside the straits for the special pilot boats of the Turkish Government, in order to pass in safety through the dangerous mine field. This measure of closing the straits was suggested to Turkey by Austria and Germany, and was primarily intended against Russia, as it was feared that her Black Sea fleet might force its way into the Sea of Marmora and the Aegean. | ||
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